020

Murramoth is easily excitable and nearly overwhelming, so this is balanced mainly by how empathetic they are. They frequently feel guilty for accidentally overwhelming other Eggs. They are pretty clingy, which can be irritating for others because they Do Not like being alone, which is something that has remained consistent since they became Aware. The only difference now is that there are more consciousnesses that they can attach themselves to. They enjoy being around anyone who won't react harshly to their excitement and allows them to simply be with them. They, however, cannot stand anyone whose opinion of Mother is terrible, even if she wouldn't necessarily argue about it. Mother was a grounding and foundational force for them, and hearing Her be criticized is deeply upsetting. Murramoth can easily be considered a sheep because she trusts Mother and follows her without question. But Murramoth simply believes that Mother has everyone's best interests in mind. She has been around for far longer, after all. They mostly just hope that everyone can get along- even with differing opinions. Conflict drives everyone away from each other, and they don't like that.

It was surprisingly small, nestled deeply into the hot sand, some piled relatively high against one of its sides. When it is not so obscured, its broad, round base can be seen, making it look peculiar with how short it is, appearing to look more like a misshapen circle than an egg. Its soft contours and gentle slopes do it no further favours. The surface, however, was as smooth as glass, devoid of lumps, bumps, or cracks; Its facets were lustrous. If you were to pick up the egg, you would stumble, surprised by its weight; while not necessarily being extremely heavy, the egg was heavier than it looked, the shell sturdy and tough, meaning even if you were to trip while holding it, it was unlikely to crack. The egg was primarily a watercolour blend of browns, building a picture of a dreary sky in the background, speckled with clouds of liquid gold, amber, and copper. The strokes of grey and green side by side in the foreground resemble floating islands of rocks and greenery hanging above the world in judgment.